Big-sis and Kalahili have had little sleep. They have
also been having nightmares simultaneously. The night the Boy takes Pixi home
from hospital and orders her to start packing, Big-sis dreams of none other
than the blue-eyed Djinn with the black robes. Like Pixi, her dream also told
her she'd been chosen by him. And again like Pixi, she also mistook him to be a
very wise, very spiritual man (which was in no way a deception but simply
something misread by the unfamiliar.) Consequently, she was rather chuffed,
until her underlying animal instincts, picked up on his true intents and
started ringing the alarm bells.
At the same time Kalahili dreamt of sleeping. He dreamt
he was lying with his wife in their giant four-poster bed with its Thai
wood-carving wall mount etc. just as he was doing in real life, at that very
moment. He then dreamt that he woke from this sleep to the sensation of someone
lying in-between his wife and himself. It was a small someone, child
sized, a bit skinny, and with very, very long hair. Startled, Kalahili acted to
catch the thing, but it jumped out of their bed and scuttled away.
He and Big-Sis woke up simultaneously. Soaked in sweat
and sharing a mutual horror, they stared at each other in the dark with massive
eyes. After that, there wasn’t much of rest or sleep left. The dreams shook acutely
and had them both barely functioning on tenterhooks all day. Thankfully it was
a Thursday.
Now, both are buried into the soft folds of the L-shaped
living room sofa set, near-comatose in front of their 12inch HD screen. Their
watching Gladiator, which looks like a cheap, straight-to-DVD release, because
it is not HD and so the clarity only serves to highlight bad skin and
unconvincing props. Both are hungry, but neither has the energy to get up and
order in takeaway.
Meanwhile, the boy and Pixi are crammed together in the
front passenger seat of a dingy taxi-bus at Abu-Dhabi bus station. They'd
waited 15minutes for it to fill up, while they watched the bus-station goings
on which transpired around them. Now the driver is collecting the fare, and
there are arms all over the place, passing change back and forth.
The driver, a Pakistani uncle in Kurta and a long beard,
seems peeved. Pixi doesn't understand him, but she puts together the words
'kullu' and 'mia' as well as the rhetorical question in the tone of his voice
to deduce that he's saying ‘how am I
meant to give you all change when everyone's giving me hundreds?!'
Eventually the change issue gets resolved and they set off along the Salaam St
highway, on the hour long drive up to Dubai.
The two share a heavy silence for much of the journey.
The Boy, deep in dark, worrisome thoughts about Pixi's encounter and all that
it means. And Pixi, bearing the working-weeks exhaustion, and the relaxation
which has come to her with the relief of having handed in her resignation. Editor
had not been amused, but he understood her reasons. He’d felt the growing
office-toxicity himself, and had worked long enough at Time Out Abu Dhabi to
know what a thankless job it is. Once you get over all the fun and perks.
Eventually, when he thinks she’s fallen asleep, the Boy
reaches out and gently takes Pixi’s hand. It pains him to feel how frail it is.
And he boils with anger at himself and everything and everyone which has lead
to this moment where he’s cramped in a half-seat between the Pakistani uncle
and Pixi, feeling absolutely helpless.
By the time the two get to Dubai, disembark on the
rumbling highway that is Sheikh Zayed road, cross the sand-pit construction
site under the JLT metro station, cross over to the Marina side via the
overpass, weather the 10 minute walk in the sticky UAE summer heat, and then
eventually ring the bell at 503 Westside Marina, the sun has already called it
a day. Kalahili answers the door, and his initial surprise at seeing Pixi
instead of the water delivery guy, is quickly replaced by irritation over
seeing some random guy with her.
“Marti,” he yells in the direction of the bedroom as
Pixi and the boy remove their shoes in the hallway. “Put your hijab on.”
“Who is it?”
Big-sis emerges, wrapping her head-scarf. “Oh hello.” She too is surprised to
see Pixi and then the Boy, but unlike Kalahili she knows who he is. “You’re
back!” she states. “And you’ve…” Big-sis struggles to find a word that’s
appropriate to use in front of her husband without getting him more ruffled
than he’s already displaying signs of being, “grown tall.” Is what she settles
for, catching Pixi’s eye for an instant to smile in a way that makes the Boy
uncomfortable and tips Kalahili’s dominoes.
“Waleik! I kill you!” he booms, “and you,” he points a
furious finger at Pixi. “Who’s this?!”
“He’s her childhood friend. He’s practically family.”
“He’s my half Djinn Boy.”
“He’s on our side,” Pixi and Big-Sis say simultaneaously,
respectively.
“Assalamu alaikum,” the Boy steps forward. “Bro, I’ve
known Pixi and your family for a very long time. I don’t mean to intrude-”
“Waleik!” Kalahili cuts him off. “Who’s half Djinn?
You’re half Djinn?” he quips at the boy.
“Yes,” the boy gulps.
“I kill you!” Kalahili turns the angry finger at him
this time. “Which half is Djinn?”
“The better half, I promise,” says the Boy. Kalahili
eyes him and then decides he’s telling the truth.
“Good. I don’t kill you then. What do you want?”
“Pixi…no, you’re family… hell, the whole world, is in
danger.”
“And?”
“I’ve failed at protecting Pixi too many times. I don’t
want to fail again.”
“Oi, who needs protecting? I’m fine,” Pixi butts in.
“Silence woman,” the boy rumbles ominously. “Don’t get
me angry. You’ve seen what I turn into when I get angry.”
“What does he turn into?” this time Big-sis butts in,
with intrigued curiosity.
“Actually I was unconscious when that happened, but Zaru
said she saw the whole thing, and she said you were positively grotesque.”
“An accurate description on Zaru’s part. How is she, by
the way?”
“She’s cool. Her and Miri are planning to visit in a
month’s time. But that was before I resigned.”
"They’ll need to change their plans then. I haven't
met Miri, have I?"
“No-”
“Waleik!” Kalahili interrupts. “I kill you all, stop
going off topic!”
“Yeah, what’s this about you resigning?” asks Big-sis.
“We should sit down. This could take a while.” Pixi
draws everyone’s attention to the fact that they’ve all been standing at the
entrance for a good twenty minutes now.
“I get my bag, we go.” Big-sis goes back to the bedroom.
“Go where? We just go here,” Pixi calls out after her.
She’s sticky and all desk-work tension-knotted. She wants a shower.
“Out. There’s no food in the house and we’re hungry,”
her sister calls back.
“By the way,” Pixi turns to Kalahili. “Bro, has Big-Sis
felt anything strange? Tummy pains? Weird dreams?”
“Did you say weird dreams?” Big-Sis comes back with her
fake LV in tow. The real one she saves for work and special outings.
"His name is Azazeal," the boy says, twirling
the steak knife they've just won at Butcher Shop & Grill, because Kalahili
finished a giant slab of sirloin.
"Eh?!" says Pixi through a mouthful of roast
potato that's been a bulge in her right cheek for way too long for it to still
taste good. It’s like she's so unenthusiastic about her food, she keeps
forgetting to swallow. Depression might have something to do with it. Eating
out at fine-dining joints for a living might also.
"Wasn't that the Devil pre-divine-deportation?"
Asks Big-sis.
"Old boy aint got a copyright on the name. There's
been loads of Azazeals since him. This one's Azazeal MDXVII."
"Sounds like a corporate tycoon," says
Kalahili.
"Sounds like a human genome code," says Big-sis.
"Sounds like a razor blade," says Pixi, finally
swallowing her cheek-bulge.
"In any case, he means business," the boy
drains the bottle of San Pelegrino into his glass and downs it. Kalahili tries
to catch a waiter's attention to order another. "Compared to Azazeal,
Qiran was small-fry."
"How small?"
"Like a newt."
"What's a newt?" says Kalahili and Big-Sis
starts Googling for the Arabic equivalent on her blackberry. The Boy tries to
indicate the size of the thing with his fingers but then gives up and attempts
to explain. "If Qiran was village elder of some African tribe of forty
huts, Azazeal would be secretary of state of the United States of America."
"Errrrrr," Pixi is none the wiser for this.
She’s politically and numerologically challenged.
"Who's Qiran?" asks Kalahili, and Big-Sis goes
to Google.
"He's my uncle. Late."
"He's coming?" asks Big-sis.
"No he's dead," says Pixi.
"Oh, I'm very sorry," says Big-Sis to the Boy.
"Don't be. I killed him," the Boy says
nonchalantly through a mouthful of spicy sausage, and she and Kalahili look
mortified. "He was Ifrit."
"Masha-Allah," says Kalahili, a little surprised,
a little impressed but mostly like he’s missed the first instalment of a
trilogy.
"So who is he exactly, this Azazeal MDXVII?"
Big-sis asks.
"He's the most junior among the seventeen Dai-tengu."
"Dai-what-what?"
"The great Tengu, they're like demonic
high-priests," is his response, and it strikes a familiar cord in Pixi’s
mind, which is like a bric-brack shop of useless or archaic facts in the true
Wilde-inian sense of the word.
"You mean Tengu, as in the Japanese Tengu?"
she asks.
"Aye."
"Tengu is an evil spirit in Japanese
folklore," Pixi explains to big-Sis and Kalahili. "They must
basically be Ifrit Djinn."
"They're THE ifrit Djinn," corrects the boy,
"Azazeal holds sway over the Higo province. He’s known to the locals of
Higo, as Ajari." The San Pelegrino arrives.
"So what do Japanese Djinn have to do with
us?" asks Kalahili
"They’re no more Japanese Djinn than I am British.
They’re just Djinn in Japan. There have been many wars to curb the rebellions
of my kind. The last great war forced us to flee to the Eastern Islands. That's
where they built their strongholds. That's where they thrived. And over time,
man made many things of them; spirits, demons, gods."
"Astagfirullah," mutters Kalahili.
“So what does he want?” Asks Big-Sis.
“I don’t know,” the Boy scratches his head, dishevelling
his mousy hair. “He commands a leviathan of an army, and has over ten like Qiran
at his beck and call. It doesn’t make sense to me why he’d be appearing in
people’s dreams."
"ShiKt," Pixi hangs her head in despair.
"We're doomed whatever way you look at it. Might as well just lay down and
die now."
"Shuddup Pixi!" Big-sis snaps. "No one's
dying!"
“What she said,” the Boy quips, grabbing Pixi’s fork
from her hand. He’s had enough of watching her push food about her plate for 48
minutes straight. Startled, Pixi looks up at him. He meets her look, holds it,
and then brings the fork down on a by-standing potato rather threateningly. It
makes Pixi flinch and then she flinches again when he holds it under her nose.
Taken aback she sits there a little cluelessly. "Eat, woman!" He
orders and turns to Big-sis and Kalahili who have been interrupted in their own
conversation and, like Pixi, are also looking at him. "She's
wasting," he offers.
"Yeah, I tend to do that." Pixi takes the fork
from the boy and the potato into her mouth. "haven't disappeared
yet," she adds with a new bulge in her cheek.
"Shuddup," the boy quips, grabbing her fork
again, stabbing a second potato and pointing it at her.
"Yeah, you tell her," says Big-sis, who's
savoring the satisfaction of watching someone other than herself scold Pixi
for wasting. “So any way,” she tries to guide the conversation back to the
matter at hand. “What do we have to do?”
“We have to be on our guard,” the Boy gives Pixi’s fork
back to her, confident that she will now be able to use it herself. “And I will
alert my people. Something is amok. We’ll soon find out what. ” It doesn’t
escape Pixi’s attention that the Boy mentions nothing about ‘harvesting’ to
Big-Sis and Kalahili. For this she is thankful, because it means their nightly
encounter with Azazeal was not grave enough to necessitate alerting them to it.
She is also equally troubled though, because it means hers was grave enough for
the Boy to decide to conceal it from her family.
Pixi sees out her notice period with newfound purpose.
That of seeing out her notice period. Upping sticks is what they call it. And
it involves finding new homes for her limited Ikea furniture; Tying up loose
ends at work; Neatly packaging her responsibilities with detailed instructions
in email format; Passing on contacts; dishing out business cards, and saying long
drawn-out goodbyes. Over billowing cigarettes and Arabic dubbed Turkish soaps
in the evening, Tunisian-Flatmate tells Pixi she’ll miss her. Kinsi, The only
other friend Pixi made in Abu Dhabi, tells her the same over Shiesha at One to
One Hotel’s sad fish restaurant, which had once suffered a ruthless review at
Pixi’s pen. Her work colleagues ditto the sentiment but don’t really mean it,
which is fine because the feeling is mutual.
During this month the Boy also keeps busy, which
involves him disappearing and reappearing rather frequently. He requests
assistance from his clan to send out scouts and up surveillance on the borders.
He calls in favours and asks for star-logs dating back from two years prior to
be examined for possible breach patterns or significant incidents. He sets
about reading universal signs, and the behaviour of certain heavenly bodies
particularly grabs his interest. Namely, Venus and Jupiter have taken to
aligning with the moon for several nights straight.
When he’s not scrutinising the night sky, the Boy turns
his scrutiny to Pixi. He’s subtle, so she mistakenly suspects on occasion that
he’s checking her out. But he’s also very thorough. Eventually, and during her
final week in Abu Dhabi, the Boy’s conclusive suspicions grow to un-ignorable
proportions. He pops the question.
At the time, Pixi is systematically packing. Her red
suitcase looks like a bento-box, with all her clothes and possessions arranged
into neat little sections inside it. Pixi notices the ruminating way the Boy looks
at her handiwork and quips, "Ok, so I don't colour coordinate my underwear
anymore, but there's nothing wrong with being neat. I don't like losing
things." Her use of the word 'neat' is a gross understatement of course
but the Boy doesn't point this out. Instead he says, "When was the last
time you lost something?"
"I lost a sock the other day. It didn't come back
out with my washing. But then it came out with my Tunisian-flatmate's. That
machine is rhubarb!"
"No, I mean, really lost something. You know,
without explanation. And so you never found it again."
"Oh that's easy," Pixi's closet OCD pokes out
its nerdy head. "My house keys and my prayer beads disappeared last year.
I turned the whole flat inside out before the move, but they never materialised.
I'm still gutted about the key-chain. Little-Sis had given it to me. And the prayer
beads were from Damascus."
"Was this before or after you and 夢幻 broke
up?" the Boy's mention of 夢幻 dampens Pixi's mood.
"What's he got to do with anything?"
"Just answer the question."
"Before," says Pixi, trying not to remember
any other details about the dark times which followed, and everything started
going to shiKt. How their relationship had expired almost overnight. How a
coldness had descended over their home. How words became few and forthcoming. How
their meeting gazes became clouded. How 夢幻 started coming home later from the
restaurant where he worked, and Pixi couldn't greet him by burying her nose
into his top, taking a deep, satiating breath of relief and declaring 'yummy!' because
he smelled of tempura.
After he left, misfortune followed ugly misfortune at
near-comic frequency. By the end of it all, the only thing missing from Pixi’s
plethora of misfortunes was a car accident that would leave her blind and
busking at tube stations.
"And when did you last communicate with
Glorious?" asks the Boy.
"What's he got to do with anything?" Pixi says
again, her annoyance growing.
"Nothing, I hope," is the obscure response.
That evening, the
Boy pulls his final disappearing act. While he’s away investigating the
possibility of black-magic, Pixi is taking a detour home from work. She follows
a random route that turns into some residential streets, passing villas which
remind her of growing up in Saudi Arabia. The evening is warm and it carries
the scent of night blooming flowers on its windless refrains. Pixi spies
running children, and Indian men holding hands, and drinking-water fountains
posted outside homes as a charitable gesture for passersby on a hot day. Thus
she says her goodbyes to this strange city. And then she hears a cat calling
from across the empty street. It calls to Pixi in particular, as if it'd been
waiting for her, and was complaining that she's late.
Pixi halts under a buzzing street lamp, and waits as the
cat crosses over very vocally. Pixi notices that the cat is a Mrs cat, and
furthermore, that she is with kitten. She reaches into her shopping bag for the
film wrapped polystyrene tray of smoked turkey salami. Mrs cat complains impatiently
as Pixi struggles to unwrap the cling film and extract a slice of turkey. 'ok,
ok, it's coming,' she says to Mrs cat, and then finally crouches to present her
with a slice. Mrs cat takes it and traipses off, her bulging kitten-bump in
tow.
Pixi thinks of Sufi-cat in Turkey with Mum and
Little-Sis. She thinks about Big-sis and Kalahili in Dubai, about Dad in
London, and about how life scatters families to the winds. Then she considers
her encounter with Mrs cat. It dawns on her that there might be a kind of
script for them all, a plot and stage cues even, determining the routes they'll
walk, the lines they'll talk, the people and cats they'll cross paths with. It
makes her feel safe. As if there's a safety net.
When finally the evening heat gets too much for walking,
Pixi catches a cab. When she gets in, she finds that Tunisian-Flatmate is out, and
so settles for a lonely dinner propped up in her bed, the TV filling the room
with noise. She has a cigarette, and then reads. But her mind keeps wandering
off away from the narrative, and she has to keep pausing to go after and fetch
it back. Eventually the effort makes her tired, and Pixi falls asleep with the
side lamp on and face buried in her book.
At three am she’s wakes with a start and an imprint of a
page on her left cheek.
"How’zzatwhywho? " she exclaims.
"Shhhhhh!" the boy shushes angrily as he
climbs onto the bed. "Tunisian-Flatmate’s back. You’re gonna wake her!"
He plumps up the pillow next to hers as Pixi sits there a while, waiting for
her faculties to return. He lies on his back and closing his eyes, breathes a
deep sigh.
"Eh, what’s this?"
"What does it look like?"
"Dude, you’re not sleeping in my bed."
"I’m not in your bed, I’m on your bed. And I’m not sleeping,” the Boy turns over onto his
side, facing Pixi, and hugs his pillow. “I’m just resting my eye-lids while I
keep watch over you."
“I don’t need you keeping watch,” Pixi pushes him “Now
get out!” Caught off-guard he falls off the side.
“Oww!” The Boy sits up and glares at her. “Fine! –if
that’s how you treat a guy that’s just returned from waging most valorous combat
in your name?” He grabs the pillow, and makes himself comfortable across the
sheepskin on the floor.
“What are you spewing?” Pixi was about to turn out the
night-lamp but has a second thought. When she gets no response, she inches to the
other end of the bed and peers over its edge. Eyes closed, the Boy is lying
with one arm under his head. His breathing isn’t steady enough for him to be
asleep already, which means he’s ignoring her. “Hey,” she tries again. “What
does that mean?”
“It means you so need me keeping watch, because you’re
utterly useless at protecting yourself and particularly vulnerable at present.”
“You met Azazeal?”
“Sure. We had a drink. Played some pool.”
“Eh?!” Pixi ‘eh’s and the Boy opens his eyes to behold
at her in all her spectacular idiocy.
“Azazeal? Really?” he cocks an eyebrow.
“Then who?”
“The guy who was responsible for you being found.”
“Found? Since when was I lost?”
“Since Jordan. Since Al-Aqazaam put a veil over you and
your family, coz after what happened to Qiraan there’d be questions, and a
whole lot of Ifrit wanting to know the full story.”
“But I never
killed Qiraan.”
“Of course not. I did. But I was able to do it because
of you.”
“Ok.” Pixi sits up pensively and crosses her legs. “So
we were safe. For a while. But now we’re not?”
“No. You’re not.”
“Why? How?”
“Concentrated envy.”
“What like the black-eye?”
“Yes. Combine it with someone with the capacity to do
black-magic, and you don’t just have misfortune befalling you.”
“Get out.”
“You’ve never read The Tale of Genji?”
“No, I believe in all that, it’s just….who would…why?”
“When was the last time you communicated with Glorious?”
The Boy sits up, and looks Pixi square in the face. She’s flummoxed.
“That’s impossible.” Pixi goes pale. “He was pissed at
me but…he’d never…”
“Never what? Want to hurt you?” The Boy is sorry that
this news is distressing her so, but he remains cold-blooded. He needs to drive
it home so she won’t forget it. “Pride, bitterness and stupidity –it’s the
recipe for disaster. Oh he wanted to hurt you alright, though he didn’t realise
the breadth and extent of what he was dealing with. In any case it’s too late
now.” The Boy pulls off his t-shirt so Pixi has to look away, and lies back down. “Could you get the
light please, I want to sleep.”